What pastel stick can you not do without?

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“At first, I opted for Unison Colour A37, a wonderful neutral dark,” says Felicity House. “But when I started looking through examples of my work, I realised that Unison Colour A15, a brilliant vermilion red, was up there as one of the ultimate colours I can’t do without.

Felicity House with Unison Colour A15
Felicity House with Unison Colour A15

“Unison Colour pastels have a great texture and this particular red is so well used that, in my box, I only have broken bits left.”

Felicity House, "Caitlin," Art Spectrum Colourfix card, approx 54 x 40 cm.
“I realize I use the A15 red often as a finishing touch, for instance for collars,” she says. “It’s a flash of red in a costume pose.” Felicity House, “Caitlin,” Art Spectrum Colourfix card, approx 54 x 40 cm.
Felicity House, Making Lime Pickle, pastel on Art Spectrum Colourfix card, 48 x 48 cms
Felicity House, Making Lime Pickle, pastel on Art Spectrum Colourfix card, 48 x 48 cms
Felicity House, "The China Dish," watercolour underpainting and pastel on Mountboard,, 52 x 76 cm.
“In a pretty neutral image, a small amount of this very bright red can change a painting. It captures the eye and enlivens the whole composition.” Felicity House, “The China Dish,” watercolour underpainting and pastel on Mountboard,, 52 x 76 cm.

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PleinAir Magazine and American Watercolor Weekly Editor-in-Chief With more than 20 years experience in art publishing, Kelly Kane has served previously as Editor-in-Chief of Watercolor Artist magazine and Content Director for The Artist’s Magazine, Drawing, Acrylic Artist, and Pastel Journal. She has interviewed many of the preeminent artists of our time and written numerous articles about painting, drawing, art education and art history. She is now the Editor-in-Chief of PleinAir Magazine and the American Watercolor Weekly newsletter. Click here to send her an email.

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