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PSWC winner - Stan Bloomfield, "Late Afternoon," pastel, no size. Honourable Mention at Signature level
Four winning paintings from the PSWC. Plus Botticelli is in Minneapolis!
Felicity House PS, "Dining Room," pastel, 56 x 50 cm - cropped for feature image
Felicity House shares when she uses fixative. Plus, still time to enter Dakota Art Pastels quarterly contest!
Gail Sibley, "Fireworks (Gallery Goers series)," Unison Colour pastels on UART 400 paper, 8 x 11 1/2 in. (Miró's paintings of the same title)
Three Pastel Today advisory board members share their take on the issue of using fixative. Plus Pastel Artists Canada Exhibition in Vancouver.
Nancie King Mertz, Steps in Spoleto, pastel, 16 x 12 in
Advisory Board member Nancie King Mertz shares how Richard Schmid influenced her work. Plus the winner at the Philadelphia Pastel Society Show.
What Jurors Look For - Photo credit: Mitchell Luo from Unsplash
Bob Upton offers valuable insight into what judges consider when selecting work for a show. Plus the Boldbrush September Outstanding pastel.
Copyright-free photos - Paolo D'Andrea at Unsplash
Five places to go to get copyright-free photos to paint from. Plus September PleinAir Salon winner.
Clarence Porter, When Fall Comes, 8 1/2 x 8 1/2 in - detail
Caravaggio is the artist Clarence Porter cites as having a big impact on his work. Plus the People’s Choice Award in the September PleinAir Salon.
Eastman Johnson, Feeding the Turkey, ca. 1872-80, pastel on wove paper mounted to canvas on a wooden stretcher, 61 x 35.6 cm (24 x 14 in), Metropolitan Museum of Art, New York, USA - detail - FEATURE IMAGE
A close look at Eastman Johnson’s pastel “Feeding the Turkey.” Plus keeping a gratitude journal.
Dakota Art Pochade box - Feature image
To make it easier for her to paint en plein air, artist Barbara Archer made some changes to the Dakota Arts pochade box. Here’s how she did it. Plus the winner of the September Pastel Outstanding Award in the Boldbrush Contest.
Richard Suckling, Sunlight and Palms, 2022, pastels on Sennelier La Carte Pastel Card, 29 x 29 cm -detail
Until Richard Suckling encountered the work of Pierre Bonnard, he struggled with colour. Plus saying goodbye to M.Stephen Doherty, former Editor of American Artist and PleinAir Magazine.

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