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Albert Handell shares his approach to scouting subjects.
Follow in the masters' footsteps to understand how they solved problems.
Why you shouldn’t rely exclusively on photographs in the studio.
Felicity House, "The China Dish," watercolour underpainting and pastel on Mountboard,, 52 x 76 cm.
Felicity House reveals her answer.
Lisa Skelly’s “Exhilaration” went up against 276 other paintings in the 12th Annual PleinAir Salon Competition to be named Best Pastel.
Jill Stefani Wagner walks us through her process of taking a pastel painting that didn’t work out originally but still has potential, and turning it into a work to be proud of.
Doug Dawson loves the tactile qualities — the dusty, get-on-your-fingers (and sometimes your face) dirtiness — of pastel.
Lorenzo Chavez shares his secret to taking on the unknown.
Mary Ellen Goetz won Best Plein Air Pastel Honorable Mention in the March PleinAir Salon competition with Downward S. Bristol (pastel, 12 x 12 in.)!
Colour Theory For Dummies: Georges Seurat, A Sunday on La Grande Jatte, 1884-6, oil on canvas, 207.5 x 308.1 cm, Art Institute of Chicago, Illinois, USA
Emma Colbert shares the painting that’s had the biggest impact on her work.

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